Who am I

I have always had a book in my hand and a dress on my mind.

My name is Chiara, and for as long as I can remember, this is who I am: a tireless reader, a fashion enthusiast, a woman who seeks beauty in things that last.

Milan shaped me—its streets, its shop windows, its frantic and creative rhythm.

But it was France that stole my heart. And it never gave it back.

Today, France is my home.

I feel it in the morning markets, in the air of the provincial alleyways, in the scent of paper and antique fabric that you breathe in at flea markets.

That is where I truly feel like myself: among stalls laden with history, with my eyes wide open and my hands ready to touch something unique.

Because this is what I do every time I go to the markets: I search.

With patience, with curiosity, with that physical sensation you feel when you find the right piece—and you know it, you feel it, even before looking at the label.


How I choose my pieces

I never buy in a hurry. I never buy to fill a space.

Every garment that enters my collection has passed a rigorous examination—one made of eye, touch, and experience.

First of all, I look at the quality of the fabric: how it drapes, how it responds to the light, whether it still has life left to give. Then I examine the finishing, the seams, the details that only well-made garments have.

I look for pieces that have a history, but are ready to start a new one.

Garments that do not shout, but speak—to those who know how to listen.


My obsession: natural materials

 

There is one thing I do not compromise on: natural materials.

Silk that slips through your fingers. Linen that smells of summer.

Wool that warms without suffocating.

Cotton that ages well, like the people you have always loved. These are the fabrics I look for, that I recognize, that I choose.

Natural materials do not lie.

They are seen, they are felt, they are lived in.

They have a texture that tells where they come from, who wove them, how much care went into every thread.

And in vintage, this quality is even rarer and more precious—because once, it was the norm, not the exception.

When I find a coat of pure virgin wool, a 70s silk blouse, a raw linen dress with hand-sewn seams—I know I have found something real. Something worth cherishing.

Because fashion, true fashion, never ends. It is passed down.

C.